Ones goddess Dhumavati is pleased then all the aspirations of man gets fulfilled. Goddess Dhumavati is pleased by chanting mantras, doing worship either on the image, or by the help of Yantras mystical diagrams and by certain rituals and offerings etc. Sadhna of Mata Dhumavati requires proper initiation by an able teacher Guru but yet one can attain her blessings by other means of worship. The goddess also blesses her sadhak with ultimate knowledge and takes to the path of salvation moksha. The aspirant sadhak, having perfected Ma Dhumavati get all Ashtsidhis, after which he progresses spiritually and gets the physical energy or intensity to resque from all troubles, gets all the desires fufilled. The results are realized instantly after the accomplishment of the Sadhna. Maa Dhumavati siddhi evokes innumerable advantages for all round financial prosperity and stability, blesses with long life. In tantra sadhna of Dus Mahavidya sadhaks consider Ma Dhumavati to give immediate results and person is protected from all sorts of black magic, sadness, sorrow, dreadful diseases, tragedy, poverty etc. Ma teaches the sadhak to penetrate deep emotionally and intellectually to seek the inner truths of life. She is personification of the tamas gun which creates lust and ignorance. The goddess is depicted to ride on a horseless chariot or riding a crow, usually in a cremation ground in the Chaturmas period. Bagalamukhi is known by the popular epithet Pitambara-devi or Pitambari, 'she who wears yellow clothes'.She is often described in words or sketch as an old and ugly widow. Another etymology suggests that valga means 'to paralyze' and symbolizes the power of stambhana'paralysis' that the goddess is said to grant this theory seems questionable to Kinsley. Like the bridle or bit - placed in the mouth - is used to direct a horse, Bagalamukhi gives the supernatural power of control over one's foes. Another interpretation suggests that Baglamukhi is a corruption of the word Valgamukhi valga means ' bridle ' or ' bit '. Kinsley believes that the crane's behaviour of standing still to catch prey is reflective of the occult powers bestowed by the goddess. Bagalamukhi is rarely depicted with a crane-head or with cranes. Kinsley translates Bagalamukhi as 'she who has the face of a crane'. Sometimes, she is described associated with other birds: having a duck-head or a nose of a parrot. Though generally depicted with a human head, the goddess is sometimes described to have a head of a crane and sometimes depicted ridding a crane. A yellow crescent moon adorns her forehead. She pulls the tongue of a demon by her left hand, while raising the right hand to strike him with a club. Clad in yellow clothes, she is adorned by a garland of yellow flowers and decked with yellow golden ornaments. The Tantrasara describes her iconography: Bagalamukhi sits in a golden throne in the midst of an ocean in an altar. Other Mahavidya goddesses are also said to represent similar powers useful for defeating enemies, to be invoked by their worshippers through various rituals.Д«agalamukhi is also called PitambaradeviShatrubuddhivinashini and Brahmastra Roopini and she turns each thing into its opposite. This is one of the boons for which Bagalamukhi's devotees worship her. This image is sometimes interpreted as an exhibition of stambhanathe power to stun or paralyse an enemy into silence. She holds a club in her right hand with which she beats a demon, while pulling his tongue out with her left hand. The Dwi-Bhuja depiction is the more common and is described as the 'Soumya' or milder form. Two descriptions of the goddess are found in various texts: the Dwi-Bhuja two-handedand the Chaturbhuja four-handed. She rides on Bagula bird, which is associated with Concentration, a pearl of great wisdom.ДЄnother interpretation translates her name as 'Kalyani'. Bagalamukhi is commonly known as Pitambari Maa in North Indiathe goddess associated with yellow color or golden color. The word 'Bagala' is derived from the word 'Valga' meaning - bridle or to rein in which, became 'Vagla' and then 'Bagla'. Devi Bagalamukhi smashes the devotee's misconceptions and delusions or the devotee's enemies with her cudgel.

Dhoomavati shabar mantra